Michael
Blaser...
After the Marines, I got serious (about art) and went to Chicago where
I apprenticed as an artist at a large art studio. I learned illustration
and graphic design; I crewed on big racing boats up and down Lake
Michigan. After three or so years, I found a great job as an art director
for John Deere back in my home town. When I came back home, the themes
of my childhood came back to me and after work, I began painting with
an eye for making my own living as a marine painter. I quit John Deere
after three years. I was young, single, living along the river and
I finally knew how to paint.
I painted whaling ships, frigates, down easters and clippers. But
this was Iowa and a clipper ship is something pictured on a whiskey
bottle. After the Gas & Electric Company shut off the power, I
figured I'd be better off changing my marketing. This may seem hard
to believe, but I put together a great set of samples, headed for
the coast and started illustrating for every decent sailing magazine
on the east coast. I learned things as an illustrator: (1) know your
subject - I did, (2) do the job on time and (3) don't bill too high.
Within a year, my client list included Sail, Cruising World, Boating
and Lakeland Boating magazines. I did cutaways for Hood Sails, Blackfin
Yachts, Palmer Johnson, Southern Cross and more. It can be done -
I did it and never have they shut off my lights and gas again.
In the early 1980s, I emerged into what I am today:
a fine artist painting historic and contemporary scenes of the Western
Rivers (Mississippi, Ohio and Missouri Rivers) and the Great Lakes.
My work is in oil and the canvases are from twenty inches to sixteen
feet across. The theme usually is the historic cities and shipping familiar
to the city at a given time. I have painted St. Paul, Davenport, St.
Louis, Memphis, Natchez, New Orleans, Pittsburgh, Cincinnati, Charleston
and Louisville on the rivers. On the lakes, I've painted Chicago, Milwaukee,
Mackinac, Cleveland and Harbor Springs.
I've found through trial and error, that although people
love the connection to boats and ships, they truly get excited when
there is an interrelationship between that particular vessel and their
home town. I love the twilight era of steam, the Roosevelt to Roosevelt
period of 1900 to 1945, any midwestern river or lake community that
still has buildings standing today that were new in this time period.
You can see this theme first hand as you browse my images. I enjoy the
classic image of a common scene that might be taken for granted in 1931.
You know - the smell of fuel oil or burning coal. The musky smell of
the river or the fresh cold waves off the lake.
When I decide to paint or when I am commissioned to
create a scene, I go to the community. I photograph the community that
exists today for reference. Then I go to the museums and research the
photo archives and talk to historians and the people who work the waterfronts.
Every river or lake community had its favorite boat. Cleveland had the
Goodtime, Cincinnati the Island Queen, St. Paul the Capitol and St.
Louis the North and South American. Today, all river towns claim the
Delta Queen as their own.
| The
following works are available for sale unless otherwise noted.
Please confirm pricing and availability by calling Teri Galleries
at 504-887-8588.
|
 |
Steamer
Natchez
(Signaling the Barque Elissa of Galveston)
Countersigned by Capt. "Doc" Hawley
S/N Limited Edition: $185
Edit. #: n/a
Giclee on Canvas: $800
Edit. #: n/a
25 x 44
Click Image for Enlargement
|
 |
Moon
River
The Steamers Belle Memphis and City of Bayou Sara ply the trade
on a lovely moonli summer evening. Both of these magnificent vessles
were built for the great Anchor Line of St. Louis.
Limited Edition: $85
Edit. #: n/a
20 1/2 x 13
Open Edition: $45
Edit #: n/a
14 x 9
Click Image for Enlargement
|
 |
French
Quarter at Twilight
The hardest job that an artist of this genre faces is projecting
an insightful identity of the community chosen as a subject matter.
New orleans is an intricate web of people, events, architecture
and the enduring Mississippi river. Here is a unique view of the
heart of new Orleans. The view includes famous Cafe DuMonde, St.
Louis Cathedral, Jackson Square and beyond. The view is looking
south along St. Peters Street toward the river.
S/N Limited Edition: $185
Edit. #: 950
Giclee on Canvas: $750
Edit. #: 950
32 x 16
Click Image for Enlargement
|